The Last Jedi

 

In what our Disney overlords apparently intend to be a new yearly event, a new Star Wars film has arrived in theaters.

The Last Jedi is the continuation of the Skywalker saga, the Star Wars films proper as opposed to the forthcoming torrent of spin-offs that began with last year’s Rogue One: a Star Wars story and will continue with Solo: Because You Know This Character. (In Disney’s defense, they are also giving Last Jedi director Rian Johnson the reigns to a whole new trilogy set in the Star Wars universe but involving–get this–all new characters and stories!)

Before I go further, let me issue the obligatory spoiler warning.

SPOILERS!

There.

I’m glad to report that The Last Jedi dispenses with the sloppy plotting of its predecessor, The Force Awakens. Unfortunately, it replaces it with gratuitous plotting. There has never been a Star Wars film with this many subplots. While Rey trains with Luke, Po Dameron struggles to guide the Resistance in its slow-burn flight from the First Order, clashing with Laura Dern’s Vice Admiral Hodor, or whatever. Meanwhile, Finn takes new character Rose on a side trip to a casino planet to pick up a code breaker to hack the First Order mothership. Oh, and on the mother ship, Kylo Ren struggles to please his master as they pursue–again, slowly–the fleeing Resistance ships.

(Star Wars has never been real sci-fi, but as with the last movie, the logic of the physics in this film are laughable. So the First Order fleet is getting outrun by the Resistance cruiser that is faster and lighter…and yet they never get outrun. They seem to just be stuck behind the Resistance at pretty much the exact same distance for eighteen hours. And yet, it’s only the Resistance ship that can’t go to light speed, so why don’t the First Order ships just split up so some of them can light speed AHEAD of the Resistance, surround and destroy them.)

Of these many plot threads, some are much stronger than others. The most conspicuous weak link is the Finn-Rose subplot. One has to feel for newcomer to the saga Kelly Marie Tran, whose Rose is really shoehorned into an already crowded cast. Her forced motivation is very reminiscent of some of the hackneyed character arcs in Rogue One and the attempt to work her in as one vertex in a love triangle with Finn and Rey (or quadrilateral if you give the Po-Finn shippers their due) just falls flat.

Oscar Isaacs mostly carries through his plot arc as Poe Dameron, wrestling with mutiny to buy Finn and Rose time to pull off their plan, but the real saving grace of the movie is Daisy Ridley’s Rey. As with the last movie, her earnest heroine is the heart of the movie and her interactions with Adam Driver’s Kylo Ren are great. Their showdown with Snoke is tremendous, made all the better because it only ends up revealing the gulf between the two.

The Force Awakens teased Rey’s origins, leading to two years of speculation about her parentage. Is she Luke’s secret daughter? Is she Ben Solo’s secret sister? Is she Obi Won Kenobi’s secret granddaughter?

Thank goodness the answer to all those questions was: No.

According to Kylo Ren, she’s nobody. So, the Skywalker saga will end in Episode IX with Kylo Ren’s defeat and Rey’s ascension as the new Jedi master. (Oh, sorry, did I spoil it? Did you think the whole sage would end with the universe being plunged into darkness?) As Ren breaks this news about Rey’s parentage which the Force revealed to him, he suggests that, deep down, Rey has always known. It’s as she was told in the last movie, “Whoever you were waiting for…is never coming back.”

And therein lies one of the many failures in the film. No, not the filmmakers’ failures, the characters’. In fact, The Last Jedi distinguishes itself from every other Star Wars movie by plumbing new thematic territory. Almost every major character grapples with failure in this film. Rey failed to reunite with her family, the aching need for which is her only lure toward the dark side of the Force. Finn’s mission fails and he is captured. Poe’s mutiny fails and actually undermines the Resistance’s chances of survival. Luke failed Kylo Ren. Leia faces the end of the Resistance, the failure of her life’s work.

And then Yoda shows up to hammer in the lesson. Luke tempts his old master by threatening to burn down a sacred Jedi tree and take all the religion’s most ancient texts with him, but Yoda beats him to the punch and summons some lightning. “Pageturners they were not,” he admits and says that Rey has more Jedi in her than any old books.

Star Wars was based on myth and sought to explore the timeless battle between good and evil, but The Force Awakens began to explore the limits of that dynamic, to really explore what might be meant by that “balance” that George Lucas wrote into the prequels. According to those regrettable chapters, Anakin Skywalker/Darth Vader was supposed to bring about balance in the Force and Maz Kanata said in The Force Awakens that the battle between good and evil is an endless, recurrent one. The Last Jedi steps beyond good and evil and frames the Force as the cosmic glue that negotiates the cycle of destruction and creation.

And so failure is part of that cycle. Luke warns Rey that assuming the Jedi are needed to bring light into the universe is pure hubris, that the cycle is unending. Rey, though, gets to remind him–with a little help from Yoda–that we must still always pick a side in the endless struggle, to build or to destroy.

 

Assorted Musings:

-Captain Phasma is still useless.

-Seriously, somebody buy more BB droids for the Resistance. Those things are indis-fucking-pensable!

-Chewy eating roasted porg.

-Seems like we should use that light-speed kamikaze trick more often. Why’d we struggle to hit that one little spot on the Death Star. Just empty out a freighter and light speed it through the heart of the damned thing.

-We finally know where the blue milk comes from. We sooooo did not want to know.

 

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